Photograph Errands V by Lionel Samain

This week, I firmly encourage yout to give attention to unusual things. Unexpected events like when the horizon follows you like a shadow.

Everlasting Blue. Direction & Photography: Lionel Samain Make-up & Hair: Mathieu De Mayer Model: Kiim @ Mademoiselle Agency

Every two days, it's nice to get lost in colours and textures.

Every two days, it's nice to get lost in colours and textures.

Be still! Scanning in progress in your area. Beauty film by Lionel Samain. Make-up & Hair by Mathieu de Mayer. Model is Kiim@Mademoiselle Paris.

Remember that day, when we invented the perfect mirror. The one that will help you to check the hidden face of yourself.

Remember that day, when we invented the perfect mirror. The one that will help you to check the hidden face of yourself.

Focus out on this simple question. Easily answered with trigonometry.

Focus out on this simple question. Easily answered with trigonometry.

Photograph Errands IV by Lionel Samain

Framing is everything, isn't it?

So, don't you think: it is not because you are in a box that there isn’t infinite dimensions?

Direction & Photography: Lionel Samain Make-up & Hair: Mathieu De Mayer Model: Kiim @ Mademoiselle Agency

Electric blue for intense red. How was it done? With brushes and pigments. How else?

Electric blue for intense red. How was it done? With brushes and pigments. How else?

Sensor limits. Looking for silence beyond the sensor digital noise.

Sensor limits. Looking for silence beyond the sensor digital noise.

Reminding me that when When I was a doodle, I was yellow.

Reminding me that when When I was a doodle, I was yellow.

Behind the Beauty (Dish), some red lips were hidding. 

Behind the Beauty (Dish), some red lips were hidding. 

Photograph Errands III by Lionel Samain

What happened on this corner of the world last week? Everything's fine. Everything's fine!

Red lips ripping the paper down. In good company with Kiim from Mademoiselle Model Agency & Make up artist + hairdesigner Mathieu De Mayer. Shot  in Onzieme Lieu.

Red lips ripping the paper down. In good company with Kiim from Mademoiselle Model Agency & Make up artist + hairdesigner Mathieu De Mayer. Shot  in Onzieme Lieu.

Lips without a face. 

Lips without a face. 

Red on Red.

Red on Red.

How to apply lipstick in the 4th dimension ?

Film by Lionel Samain - Hair& Makeup by Mathieu De Mayer - Model is Kiim @ Mademoiselle

Between colour bars and acrylic stains. With Christophe Dumoulin, in a other spacetime dimension.

Between colour bars and acrylic stains. With Christophe Dumoulin, in a other spacetime dimension.

See you next week! Take care and don't forget to feed the fish.

Photograph Errands II by Lionel Samain

Instant recap post from the outside world... Today is about massive hair and a blue touch.

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Mathieu De Mayer, make up artist and hair designer, pumping volume out of model's head.

Mathieu De Mayer, make up artist and hair designer, pumping volume out of model's head.

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A flick 'bout flickering.

Photograph Errands I by Lionel Samain

Week one: I collect pictures like butterflies. Sometimes i get them organized... Today, it's about stop-motion, how unsimilar pictures convey to a ressemblance feeling.

Film by Lionel Samain Hair & Make up by Mathieu De Mayer Model is Dorien Pauwels

Before shooting, any idea should experiment its own life, starting by a black ink line meeting the surface of paper.

Mathieu De Mayer working his magic on the set.

Mathieu De Mayer working his magic on the set.

Half picture, half imagination. 100% beauty.

Half picture, half imagination. 100% beauty.

Jellyfish in Okinawa Churaumi Aquarium colliding with fashion model.

Following Future of Beauty by Lionel Samain

Something's cool with the future is that is not suppose to end. Here are some several new pictures made for Boudoirnumerique.com wandering around the tomorrows of important things. And lipsticks.

Future of Beauty by Lionel Samain

As Woody Allen may have say "I'm interested in the future, for that is where I'm going to spend the rest of my live". Le boudoir numérique, which is a think tank focused on the future of beauty and fashion, asked me to visually contribute to one of their projects.

You'll find more explanations on their website at this address: boudoirnumerique.com. If you are into technology, it's definitevely worth a serious visit.

Here is a first batch of photographs we made with make-up artist Mathieu De Mayer.

And some moodboard doodles... 

Everything you always wanted to know about triggering a flash with a leica M (typ 240) using an electronic viewfinder (but were afraid to ask) by Lionel Samain

I'm not used to write about technical matters and "how to do it yourself" memos, but I've searched lenghthy the web and found nothing about the topic I'm about to develop. Maybe this modest contribution may help one guy somewhere in space and time. 

Leica M (typ 240) equiped with its electronic viewfinder (actually an olympus VF-2)

Leica M (typ 240) equiped with its electronic viewfinder (actually an olympus VF-2)

It's about Leica M (typ 240) camera. Since day one in my photographer's life, I am a M user. I  love the simplicity it has always been, even If I don't use it in studio or for portraits jobs. But in my everyday life, I always carry it with me from the film era to the digital ages.

In 2012 Leica had the very good idea to develop an accessory giving the ability to see through the lens. Of course it's just an electronic viewfinder (of poor quality, actually) but it broaden the functionality of the whole system. Now, I can wander with this only camera and bring along lenses that doesn't exist for leica M or can't be used with the rangefinder system. 

The electronic viewfinder connect itself to the camera with a reserved port and sit on the hot shoe. Which is practical but annoying, because the hot shoe is the only way to trigger a flash with a digital M. Of course I know, there is an accessory that Leica sells which is a special handgrip that brings along gps, pc sync and usb plug. Expensive and making the camera bulky. If you are an early adopter of the M10, that option isn't even in their catalogue...

I wanted to find a simpler and lighter solution. So I though about wiring the mount of the electronic viewfinder to a p/c socket. The efv has electric contacts, in its design but it seems they are not used (a central and a bracket contact point). Untill now. 

I folded a tiny piece of metal to allow the contact between the hot shoe and the efv, because, you can't count on the original one. It's not centered on the main contact point. 

I didn't have to weld anything. I just glued it. So it's reversible, in any case I would get bored with flash photography (ah ah!). In the end, I'll use a drop of black paint to hide the cable. Almost invisible.

Back view of the olympus VF-2. It is actually the very same piece of electronic that Leica sell as EFV-2. Some variations in the design and an other logo. On the right, the prontor/compur socket I glue on the side.

Back view of the olympus VF-2. It is actually the very same piece of electronic that Leica sell as EFV-2. Some variations in the design and an other logo. On the right, the prontor/compur socket I glue on the side.

I: recycled P/C socket.II: the two cables runs along the mount. I simply use the existing contacts from the evf-2. Central and bracket side (III).IV: To insure a proper connection with the camera hot shoe, fold a thin piece of metal and use as an en…

I: recycled P/C socket.

II: the two cables runs along the mount. I simply use the existing contacts from the evf-2. Central and bracket side (III).

IV: To insure a proper connection with the camera hot shoe, fold a thin piece of metal and use as an end of your wire. It should be positionned on the middle of the plate.  

3 things to do in 2017 by Ludmilla Intravaia

For 2017, I wish you the best. What else?  

In any case, if you are not satisfied by what 2017 could bring to you, you may stage your very own sunrise.

Naoshima, Kagawa.

Or rearrange the way cities look like.

Asakusa, Tokyo.

Asakusa, Tokyo.

And don't forget to bring someone with you in your future adventures.

Shodoshima, Kagawa.

Shodoshima, Kagawa.

What if the most valuable picture you could have was the one you can't see? by Lionel Samain

Cryptoglyphe is my side project. It’s a private collection, generated when I explore my hidden photographs and transform them through a self reflexive process into something new. A puzzle game. Recycling? Yes, maybe. Perhaps, It’s my fashion of being green, in thoughs. 

I’ll display one cryptoglyphe each month this year, here. The January issue is my way of expressing my greetings for this fresh new year. Have a playful and meditative 2016!

Cryptoglyphe n°001

Cryptoglyphe n°001